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Music by Rich La Bonté (BMI). Copyright © 2021 Rich La Bonté. All Rights Reserved.

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The charge exploded, and the knife, in springing back, closed into its owner's wrist. Heathcliff pulled it away by main force, slitting up the flesh as it passed on, and thrust it dripping into his pocket. He then took a stone, struck down the division between two windows, and sprang in. His adversary had fallen senseless with excessive pain and the flow of blood that gushed from an artery or a large vein. The ruffian kicked and trampled on him, and dashed his head repeatedly against the flags, holding me with one hand meantime, to prevent me summoning Joseph.

He exerted preterhuman self-denial in abstaining from finishing him completely; but getting out of breath, he finally desisted, and dragged the apparently inanimate body on to the settle. There he tore off the sleeve of Earnshaw's coat, and bound up the wound with brutal roughness; spitting and cursing during the operation as energetically as he had kicked before...

"Then you are not afraid of death?" I pursued.

"Afraid? No!" he replied. "I have neither a fear, nor a presentiment, nor a hope of death. Why should I, with my hard constitution and temperate mode of living and unperilous occupations? I ought to, and probably shall, remain above ground till there is scarcely a black hair on my head. And yet I cannot continue in this condition! I have to remind myself to breathe - almost to remind my heart to beat! And it is like bending back a stiff spring: it is by compulsion that I do the slightest act not prompted by one thought; and by compulsion that I notice anything alive or dead, which is not associated with one universal idea. I have a single wish, and my whole being and faculties are yearning to attain it. They have yearned towards it so long, and so unwaveringly, that I'm convinced it will be reached - and soon - because it has devoured my existence: I am swallowed up in the anticipation of its fulfillment..." from Wuthering Heights by Emily Bronte (1847 PD)

Just as he spoke there came from the forest a terrible roar, and the next moment a great Lion bounded into the road. With one blow of his paw he sent the Scarecrow spinning over and over to the edge of the road, and then he struck at the Tin Woodman with his sharp claws. But, to the Lion's surprise, he could make no impression on the tin, although the Woodman fell over in the road and lay still.

Little Toto, now that he had an enemy to face, ran barking toward the Lion, and the great beast had opened his mouth to bite the dog, when Dorothy, fearing Toto would be killed, and heedless of danger, rushed forward and slapped the Lion upon his nose as hard as she could, while she cried out:

"Don't you dare to bite Toto! You ought to be ashamed of yourself, a big beast like you, to bite a poor little dog!"

"I didn't bite him," said the Lion, as he rubbed his nose with his paw where Dorothy had hit it.

"No, but you tried to," she retorted. "You are nothing but a big coward."

"I know it," said the Lion, hanging his head in shame; "I've always known it. But how can I help it?" from The Wonderful Wizard of Oz by L. Frank Baum (1900 PD)

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from Null Times in Zér0ville (2021), released October 2, 2021
All instruments by Rich La Bonté. Electronic music composed, programmed and edited by Rich La Bonté.

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FLAtRich-Rich La Bonté New Jersey

Rich La Bonté (1946) - American musician. 9 Bandcamp LPs. Released the seminal electronic Mayan Canals LP and co-wrote Kim Fowley's Son of Frankenstein (1980s). Lead singer of the upstate New York band the huns (1965-66). Played bass and sang in the original NY and LA casts of Godspell (1971-4). Mozart in "Mozart In Love" (Dir: Mark Rappaport 1975). More info - free MP3s & stuff on his website! ... more

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